A View Of The Church Of S Sabina And The Pyramid Of Cestius, Rome
Represented work of art
Artist
Sir Charles Lock Eastlake
Dimensions10 7/8 x 15 1/8 inches (27.5 x 38.4 cm)
Date made
- ca. 1825
Work type
Provenance
- Yale Center for British Art, Paul Mellon Fund (B1980.4.2)
Publication history
- Malcolm Cormack, A Concise Catalogue of Paintings in the Yale Center for British Art, New Haven, 1985
Current owner
Yale Center for British Art
Owner accession numbersB1980.4.2
Owner’s online record
Photographic source
Object FormatPhotographic Print
Photograph Source
Paul Mellon Centre for Studies in British Art
Archival context
Object numberPA-F01349-0005
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Paul Mellon Collection of Paintings
- Folder:PA-F01349
- Item:A View Of The Church Of S Sabina And The Pyramid Of Cestius, Rome
ClassificationsArchival Document
Scope and content This series comprises images of a collection of paintings formerly owned by the American philanthropist, Paul Mellon. The collection has now been divided and paintings are owned by the following institutions: the Yale Center for British Art, New Haven; the National Gallery of Art, Washington DC; Virginia Museum of Fine Art, Richmond; and the Paul Mellon private collection. The Photographic Archive does not include images of every painting owned by Paul Mellon.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://creativecommons.org/publicdomain/zero/1.0/
Data Formats
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