Christ Healing the Sick at Capernaum (Mark II, 1-12) Seen Through a Screen of Twisted Columns
Represented work of art
Artist
Antonio Verrio
Dimensions1.02 x 1.26 (40 x 49 1/2 inches)
Provenance
- Anonymous sale, Sotheby's, 29 November 1978 (4)
Publication history
- Edward Croft-Murray supplied following information: This composition is a version of the centre part of Verrio's design for the North Wall of the King's Chapel at Windsor Castle. The decoration was carried out for Charles II in 1680-4, and together with the altarpiece of the Last Supper in c. 1824 when the interior of the Castle was remodelled for George IV. The original oil sketch for the North Wall is in the Royal Collection, where there also exists a copy. This painting is therefore a third sketch possibly made by Verrio or his assistants, based on the modello.
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative NumberM21316
Archival context
Object numberPA-F01802-0019
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F01802
- Item:Christ Healing the Sick at Capernaum (Mark II, 1-12) Seen Through a Screen of Twisted Columns
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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