Mrs Jarman
Represented work of art
Artist
Joshua Reynolds
Dimensions0.75 x 0.62 (29 1/2 x 24 1/2 inches)
Provenance
- By descent from the sitter to Anna Jarman, wife of Peter Hammond, whose daughter m. Somerset Davies of Croft Castle; Thence by descent to the Rev. William Trevelyn Kevill-Davies of Croft Castle; sold by Morris and Co. Chancery Lane, July 24, 1895, bought Wigzell; Anonymous sale, Christie's, March 17, 1900 (118), bought Blackburne; T. W. Wright, Mossley Vale House, Liverpool, sale, Christie's, 27 April 1923 (147) bought Leggatt; Mary R. D. Stout, Pennsylvania; Andrew Fountaine, his sale, Sotheby's, 15 July 1987 (62)
Publication history
- A. Graves and Cronin History of the Works of Joshua Reynolds 1899 Voll II, p. 515, Vol IV p. 1350; Sir Ellis Waterhouse Reynolds 1941 pp 48, 92
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative NumberE21711
Archival context
Object numberPA-F02465-0057
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F02465
- Item:Mrs Jarman
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
Our API allows coders, creators, researchers, and dreamers to connect to the most up-to-date data and images for more than 100,000 artworks from our collection. The data is available for unrestricted use without permission or fee. Learn more.
Tell us more
Want to contribute knowledge about the collections? Spotted an error, information that is missing or do you know anything that we don't know? If you have information to share, let us know.
