The Valley Of The Tweed, With Melrose Abbey, Roxburgh
Represented work of art
Artist
Thomas Girtin
Material
Dimensions0.240 x 0.330 (9 1/2 x 13 inches)
Subject
Provenance
- Sir James Knowles. ; Thomas C. Girtin. ; Mr and Mrs Tom Girtin
Exhibition history
- London, Leicester Galleries, English Drawings and Watercolours with special Reference to Thomas Girtin, 1912 (34) Cambridge, Fitzwilliam Museum, Water-Colour Drawings by Thomas Girtin, 1920 (43); London, Thos. Agnew's, Annual Exhibition of Selected Water Colour Drawings, 1931 (134); Royal Academy, Exhibition of British Art, c. 1000-1860, 1934 (765) London, Thos. Agnew's, Loan Exhibition of Water-Colour Drawings by Thomas Girtin, 1953 (89) Sheffield, Graves Art Gallery, Early Watercolours from the Collection of Thomas Girtin Junior, 1953 (54)Leeds, City Art Gallery, Early English Watercolours, 1958 (50); Royal Academy, The Girtin Collection Watercolours by Thomas Girtin and other Masters, 1962 (159); Manchester, Whitworth Art Gallery, and the Victoria and Albert Museum, Watercolours by Thomas Girtin, 1975 (64)
Publication history
- T. Girtin and D. Loshak, The Art of Thomas Girtin, 1954, pp. 41, 83, 182 (cat. no. 353)
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
Paul Mellon Centre for Studies in British Art
Negative Number75/1320
Date of photograph
- 1975
Archival context
Object numberPA-F03344-0095
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Landscapes: Identified, F-N
- Item:The Valley Of The Tweed, With Melrose Abbey, Roxburgh
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://creativecommons.org/licenses/by-nc/4.0/
Data Formats
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