Portrait Of Arthur Wellesley, 1st Duke Wellington (1769-1852), In Civilian Clothes With A Military Cloak, Wearing The Insignia Of The Order Of The Golden Fleece
Represented work of art
Artist
Thomas Lawrence
Dimensions30 x 25 1/2 inches (76.2 x 64.8 cm)
Subject
Inscription
- Inscribed: "An admirable liknessigned Charles Arbuthnot 13 ? Th . . . 1821 ? (on old handwritten label attached to the reverse)"
Provenance
- Commissioned from the artist in 1820 by Wellington's close friends, Mr and Mrs Charles Arbuthnot and by descent to; A. Arbuthnot, Christie's London, 29 June 1878, (88) (815 gns to Davis on behalf of Archibald Primrose, 5th Earl Rosebery) : Albert Primrose, 6th Earl of Rosebery, his sale, Christie's London, 5 May 1939 (81) (1100 gns to Agnew's on behalf of W. U. Goodbody), W. U. Goodbody, and by inheritance to the present owner; Property of a Lady; Anonymous sale, Christie's London, 22 November 2006 (32)
Exhibition history
- Royal Academy of Arts London 1822 no. 134
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatDigital Print
Photograph Source
Christie's Auction House
Archival context
Object numberPA-F03833-0119
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Portraits, Male L-Z and Unidentified
- Item:Portrait Of Arthur Wellesley, 1st Duke Wellington (1769-1852), In Civilian Clothes With A Military Cloak, Wearing The Insignia Of The Order Of The Golden Fleece
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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