The Marketplace, Duchy Of Juliers, Westphalia
Represented work of art
Artist
Thomas Rowlandson
Material
Dimensions0.311 x 0.533 mm
Inscription
- Inscribed: in artist"s hand, below drawing in ink: ""VIEW OF THE MARKET PLACE AT JULIERS IN WESTPHALIA, The dutchy (sic) of Juliers is situated between the Maase and the Rhine and bounded by the Prussian Guilderland on the north, by the electorate of Triers on the south, by the electorate of Cologne on the east, and by the netherlands on the west, being about 60 Miles long, and 30 broadated This is a very plentiful country, abounding in corn, cattle and fine medows, and is plentifully supplied with wood, but is remarkable principally for a fine breed of horses, and wood for drying which is gathered here in abundance. The Chief Towns ate, Juliers, Aix la Chapelle, Durn, Munster, Bedbur, Wasenberg and Lanterns: Rowlandson 1791, in ink, lower right.
Provenance
- Desmond Coke. Harcourt Johnson, Leslie Wright, Christie's, 22 February 1966 (169), Dr. R. E Hemphill, P. & D. Colnaghi & Co. Ltd. 1966; Paul Mellon (1907–1999)
Exhibition history
- Leamington Spa Art Gallery, n. D.
Publication history
- Oppé, 1923 p 14, pl 33.; Baskett and Snelgrove Cat. 48
Photographic source
Object FormatPhotographic Print
Photograph Source
Yale Center for British Art
Archival context
Object numberPA-F04724-0087
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F04724
- Item:The Marketplace, Duchy Of Juliers, Westphalia
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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