Fair Rosamund And Queen Eleanor
Represented work of art
Artist
Edward Coley Burne-Jones
Material
Dimensions0.49 x 0.37 (19 x 14 1/2 inches)
Inscription
- Signed with monogram and dated 1861
Provenance
- Collection T. E. Plint, 1861; James Leathart and thence by descent; Anonymous sale, Sotheby's Belgravia, 1 October 1979 (10 -), Yale Center for British Art (Paul Mellon Fund)
Exhibition history
- London, The Tate Gallery, 1913, Works by Pre-Raphaelite Painters from Collections in Lancashire (18); Newcastle, Laing Art Gallery and Museum, Leathart Exhibition 7 October-16 November 1968 (29); The Arts Council of Great Britain, Hayward Gallery, Southampton Art Gallery, Birmingham City Museum and Art Gallery, 1976, Burne-Jones, (28);
Publication history
- Georgiana Burne-Jones, Memorials of Edward Burne-Jones, 1904, vol. I, (p.215); Marting Harrison and Bill Waters, Burne-Jones, 1973, (pp65-6 illus. pl. 11)
Current owner
Yale Center for British Art
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative NumberB333(A)
Archival context
Object numberPA-F04777-0027
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Oil and Mixed Medial: Literary and Medieval
- Item:Fair Rosamund And Queen Eleanor
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://creativecommons.org/publicdomain/zero/1.0/
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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