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Laus Veneris

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Represented work of art

Artist Edward Coley Burne-Jones

Dimensions1.22 x 1.83 (48 x 72 inches)

Inscription

Signed and dated 1873-75; on side of stringed instrument

Provenance

William Graham; Sir William Agnew's; Huntingdon-Hartford sale, Sotheby's, 17 March 1971 (57), bought Agnew's, Laing Art Gallery Newcastle, 1972.

Exhibition history

Grosvenor Gallery, 1878; New Gallery, 1893, no.57; New Gallery, Burne-Jones Exhibition, 1898-99, no. 96 Paris, Royal Pavilion 1900, no.34, illus. Royal Academy, 1906, no.121; University of Kansas, 1958; New York, Gallery of Modern Art, 1964, no.17, illus.; London, Hayward Gallery, Burne-Jones, 1975 (135); Tate Gallery The Pre-Raphaelites 1984 (150)

Publication history

E. Malcolm Bell, Edward Burne-Jones: A Record and Review, 1894, passim.; Jeremy Maas, Victorian Painters, 1969, p. 144

Previous owner Thomas Agnew and Sons Ltd.

Photographic source

Object FormatPhotographic Print

Photograph Source Sotheby's Auction House

Negative Number229771

Archival context

Object numberPA-F04777-0047

Archival context

Fonds:Paul Mellon Centre Photographic Archive
Series:Artists, A–Z
Folder:Oil and Mixed Medial: Literary and Medieval
Item:Laus Veneris

ClassificationsArchival Document

Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.

Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).

ArrangementThe archive has been arranged in its original order.

Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.

Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).

Related material in Collected Archives The Collected Archives at the Paul Mellon Centre – particularly the Ellis Waterhouse, Frank Simpson, Oliver Millar and John Hayes collections – contain significant volumes of images of works by British Artists. The catalogues can be searched online at: http://calmview.co.uk/PaulMellonCentre/CalmView/advanced.aspx?src=CalmView.Catalog. Artist Guides are also available at: https://www.paul-mellon-centre.ac.uk/archives-and-library/artist-subject-guides.

Rights and reproductions

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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/

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