Cupid, Discovered Sleeping By Cephisa And Her Lover.
Represented work of art
Artist
Angelica Kauffmann
Dimensions0.609 x 0.406 (24 x 16 inches)
Subject
Inscription
- Signed verso and inscribed under spandrel: For George Bowles, Esq.
Provenance
- Painted at Naples in June 1782 for George Bowles; Rebecca, Lady Northwick, by descent to her son, Rushout-Bowles; Sir Charles Cockerell, later Rushout, Rushout Coll, sale Christie's, 1879; Alfred Beit R. Brooman; Somers sale, Parke Bernet, 26 May 1943; Leger Galleries.
Exhibition history
- Leger Gall's, Exhibition of English Paintings 1720-1850, May 1973 (6); See companion work, Leger 6668/F
Publication history
- Lady Victoria Manners and Dr G. C. Williamson, Angelica Kauffman, Royal Academy of Arts Her Life and Her Works, 1924 pp. 142/178
Photographic source
Object FormatPhotographic Print
Photograph Source
Leger Galleries Ltd.
Negative Number6668/G
Archival context
Object numberPA-F04878-0077
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Historical, Mythological, Allegorical, Literary & Genre & Religious, A-L
- Item:Cupid, Discovered Sleeping By Cephisa And Her Lover.
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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