Recto: (Lower) Don Quixote And Sancho Panza Meet The Duchess; (Upper) Two Flying Angels With Spears
Represented work of art
Artist
James Jefferys
(1751–1784)
Material
Dimensions0.39 x 0.508 (15 3/8 x 20 inches) 0.394 x 0.508 (15 1/2 x 20 inches)
Inscription
- Inscribed in pencil lower left of Angels: . .. limits... of the often W. His head on the BL; and lower right: Memorandum N. B. This point of time is better. These are a little too extravagant for. .. Angelsigned of witches I have heard say are not common Nature but things of the imagination therefore I may be excusigned and dated for bones joints out of their place, as painting in this sense in no longer Imitative but Creative an exceeding good argument why I shou"d paint...A hob goblin
Provenance
- Maidstone Museum and Art Gallery.
Exhibition history
- Victoria and Albert Museum Drawings of James Jefferys, Feb-May 1976 (5 and 6)
Photographic source
Object FormatPhotographic Print
Photograph Source
Timothy Clifford
Archival context
Object numberPA-F05012-0015
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F05012
- Item:Recto: (Lower) Don Quixote And Sancho Panza Meet The Duchess; (Upper) Two Flying Angels With Spears
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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