Oberwesel: Harvesters Resting On The Slope Above The Town, With Distant Steamers On The Rhine
Represented work of art
Material
Dimensions0.340 x 0.527 ( 13 3/8 x 20 3/4 inches)
Work type
Subject
Technique
- painting (image-making)
Inscription
- Signed and dated 1840.
Provenance
- B. G. Windus; Oldham Whitaker; J. Leigh Clare, Liverpool; Christie's, 28 March 1868, (100), bought Agnew's; Executors of William Quilter; Christie's, 18 May 1889 (102), bought Vokins Lady Seaforth; Edward Stein-kopff, 1899; Anonymous Swiss Collector sale Christie's, 6 June 1972 (145), bought Leger. Willems Collection of Anonymous sale, Sotheby's, 4 July 2007 (11)
Exhibition history
- Royal Academy of Arts, Old Masters, 1873, (404); Nottingham Castle, June 1878; Grosvenor Gallery, 1878 (6); Royal Academy of Arts, Old Masters, 1889, (6); Guildhall, 1899 (155).
Publication history
- W. Armstrong, turner, 1902, p. 269, opp. P. 124.
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
A.C. Cooper Studio
Negative Number735049
Archival context
Object numberPA-F05204-0071
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Landscapes-Germany & Austria; Identified, A-Z; Watercolours
- Item:Oberwesel: Harvesters Resting On The Slope Above The Town, With Distant Steamers On The Rhine
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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