The Blue Rigi: Lake Of Lucerne, Sunrise
Represented work of art
Material
Dimensions0.297 x 0.45 (11 11/16 x 17 3/4 inches)
Work type
Subject
Technique
- painting (image-making)
Provenance
- Purchased from Thomas Griffith, Turner's dealer, by Elhanan Bicknell, his sale, Christie's, 29 April 1863 (125), bought Holmes; J. E. Taylor by 1886, sold Christie's, 5 July 1912 (46), bought Agnew's; Walter H. Jones, sold Christie's, 3 July 1942 (46), bought Agnew's who sold it to the uncle of the anonymous owner who lent the picture to Agnew's, 1967; Anonymous sale 5 June 2006 (53)
Exhibition history
- Royal Academy of Arts Winter, 1886 (3); Manchester, Jubilee Exhibition, 1887 (1766); Guildhall, 1899 (152); Agnew, Turner, 1913 (25); Agnew, Watercolours, 1919 (28); Royal Academy of Arts, British Art, 1934; Agnew, Turner, 1951 (121); Agnew, Paintings and Drawings by J. M. W. Turner, 1967 (87); Royal Academy of Arts, Turner 1775-1851, 1974/75 (601), q. V.
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
Courtauld Institute of Art
Negative NumberB75/220
Archival context
Object numberPA-F05207-0071
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Landscapes: Switzerland, Identified, A-Z; Unidentified; Watercolours
- Item:The Blue Rigi: Lake Of Lucerne, Sunrise
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
Our API allows coders, creators, researchers, and dreamers to connect to the most up-to-date data and images for more than 100,000 artworks from our collection. The data is available for unrestricted use without permission or fee. Learn more.
Tell us more
Want to contribute knowledge about the collections? Spotted an error, information that is missing or do you know anything that we don't know? If you have information to share, let us know.
