Bonneville, Savoy
Represented work of art
Dimensions0.915 x 1.22 (36 x 48 inches)
Provenance
- Bought from artist in 1804 by Samuel Dpbree; The first Earl of Camperdown, His sale, Christie's, 21 February 1919 (159), Captain T. A. Tatton of Cuerdon Hall, Preston, 1928; Anonymous sale, Christie's, 14 December 1928 (59), bought S. L. Courtauld; Anonymous sale, Sotheby's, 27 June 1973 (55) bought Agnew's; Collection of Paul Mellon (1907–1999); Yale Center for British Art ;
Exhibition history
- Royal Academy of Arts, 1803, (24 Or 237); Royal Academy of Arts, Winter Exhibition, 1895 (134); Brussels, Peinture Anglaise, 1929, (178); Tate Gallery, Turner, 1931, (17); Royal Academy of Arts, Exhibition Of British Art, 1934, (648); Royal Academy of Arts, The First 100 Years of the Royal Academy of Arts, 1951-2, (190), - (Lent by S. Courtauld); London, Agnew, Recent Acquisitions, 1977 (48) q. V. ;
Publication history
- Thornbury, Life of Turner, 1877, (571); Bell, Exhibited Works of Turner, 1901, (80); Armstrong, Turner, 1902, 9pp. 51 and 219); Finberg, The Life of J. M. W. Turner, Royal Academy of Arts , 1961 (P. 466, n. 86); Rothenstein and Butlin, Turner, 1964, (p. 90, n. 21, pl. 21); Butlin and Joll, The Paintings of J. M. W. Turner, 1977 (50)
Current owner
Yale Center for British Art
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative NumberSM4188
Archival context
Object numberPA-F05318-0057
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F05318
- Item:Bonneville, Savoy
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Rights Statementhttps://creativecommons.org/publicdomain/zero/1.0/
Data Formats
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