Attachment
Represented work of art
Artist
Edwin Landseer
Material
Dimensions0.99 x 0.795 (39 x 31 1/4 inches)
Work type
Inscription
- Signed with initials and dated 1829
Provenance
- bought By Edward Rose Tunno, his sale, Christie's, 11 July 1863 (136), Haines, bought From above sale; William Delafield, his sale, Christie's, 30 April 1830 (87), bought Agnew's; R. K. Hodgson, his sale, Christie's, 21 November 1924 (17), bought Sampson; sale, Sotheby's, 12 July (145), sale, Sotheby's, 29 May 1968 (170), Lowndes Lodge Gallery, bought From above sale, from whom acquired present owner; Anonymous sale, Sotheby's, 23 June 1987 (11)
Exhibition history
- Royal Academy of Arts 1830 (342)
Publication history
- Catherine Gordon The Illustration of Sir Walter Scott, lin Journal of the Warburg and Courtauld Institutes vol 34, 1971, p. 305 pl. 47a; Richard Ormond Sir Edwin Landseer Thames and Hudson in Assoc. With the Philadelphia Museum of Art and the Tate Gallery, London, 19681, p. 102, (60)
Previous owner
Thomas Agnew and Sons Ltd.
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative NumberBB69052
Archival context
Object numberPA-F05725-0007
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Subject pictures (other than Highland) A-Z; Oils
- Item:Attachment
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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