George Seton, 3rd Earl Of Winton With His Sons George And Alexander
Represented work of art
Artist
Adam de Colone
Dimensions1.13 x 0.838 (44 1/2 x 33 inches)
Inscription
- Inscribed by the subjects" heads: AETATIS 40/1625; AETATISigned 5; AETATISigned 12
Provenance
- probably at Keith Hall from the second half of the eighteenth century, when the estates came into the possession of the 10 Earl of Marischal whose great-uncle the 7 Earl of Marichal had married a daughter of the 3 Earl of Winton: the 10 Earl of Marischal's heir became 5 Earl of Kintore; Trustees of Kintore.
Exhibition history
- Edinburgh, S.N.P.G.: Painting in Scotland 1570-1650, Aug-September 1975 (49)
Publication history
- John Bulloch, George Jamesone, 1885, p.156-7; D. Thomson, The Life and Art of George Jamesone, 1974, pp.56, 58-9, 147-8.
Photographic source
Object FormatPhotographic Print
Photograph Source
Scottish National Gallery
Negative Number5484
Archival context
Object numberPA-F06415-0011
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F06415
- Item:George Seton, 3rd Earl Of Winton With His Sons George And Alexander
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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