St. John The Baptist
Represented work of art
Artist
Edward Coley Burne-Jones
Material
Dimensions1.26 x 0.52 (19 1/2 x 20 1/2 inches)
Inscription
- Inscribed by Edward Clifford: I have tonedwith umber the lower part of the cartoon to make it match with the top which is soiled and stained and inscribed with Morris and Co. Nosigned T. P. 263 (cancelled) left P. 32 (originally 34)
Provenance
- bought Morris & Co. , 6 October 1903; Lord Gerald Wellesley, 7 Duke Of Wellington; by descent to present Duke of Wellington, his sale, Sotheby's, 21 June 1983 (90)
Publication history
- Warrington Taylor List of Designs of William Morris and Co. A. Charles Sewter, The Stained Glass off William Morris and His Circle, A Catalogue, Yale University Press, New Haven and London 1975 vol I pl 284 (reverse) and vol II p 120 and vol I pl 299, vol II p 22 bth for comparison
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Archival context
Object numberPA-F07268-0055
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Cartoons & Designs for stained glass
- Item:St. John The Baptist
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
Conditions for onward use of this image are determined by its licence. Learn more.
Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
Our API allows coders, creators, researchers, and dreamers to connect to the most up-to-date data and images for more than 100,000 artworks from our collection. The data is available for unrestricted use without permission or fee. Learn more.
Tell us more
Want to contribute knowledge about the collections? Spotted an error, information that is missing or do you know anything that we don't know? If you have information to share, let us know.
