The Death Of Virginia
Represented work of art
Artist
Nathaniel Dance-Holland
Dimensions0.482 x 0.605 (19 x 23 13/16 inches)
Work type
Technique
- printmaking
- mezzotint
- engraving (printing process)
Provenance
- British Museum, London
Exhibition history
- Kenwood, British Artists Rome, 1700 - 1800, 1974 (58), the engraving. Kenwood, Nathaniel Dance 1735 - 1811, June - September 1977 (3b)
Publication history
- Basil C. Skinner, ' Some Aspects of the Work of Nathaniel Dance in Rome', Burlington Mag. CI (Sept/Oct 1959) p. 346ff; R. Rosenblum, Transformations in Late 18 Century Art, 1967, pp. 65 - 6; P. Walsh, ' Charles Rollins and Early Neoclassicism, Art Bulletin, XLIX (June 1967) pp. 123 - 4; D. Stroud, George Dance, Architect, 1741 - 1825, (1971) p.64; D. Goodreau, ' Nathaniel Dance: An Unpublished Letter', Burlington Mag. CXIV (October 1972) p. 712 - 5; D. Goodreau, 'Pictorial Sources of the Neoclassical Style: London or Rome?', Studies in 18 Cent. Culture, ed. H.E. Pagliaro, IV, 1975, 247 - 70.; S. Howard, A Classical Frieze by Jacques Louis David, 1975, pp. 30, 66; J. Burke, English Art, 1714 - 1800, 1976, p.240.
Photographic source
Object FormatPhotographic Print
Photograph Source
Paul Mellon Centre for Studies in British Art
Negative Number71/B1101
Date of photograph
- 1970
Archival context
Object numberPA-F07613-0003
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Engravings after
- Item:The Death Of Virginia
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://creativecommons.org/licenses/by-nc/4.0/
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