Gertrude, Hamlet And The Ghost Of Hamlet's Father
Represented work of art
Artist
Henry Fuseli
Dimensions1.25 x 1.34 (65 1/4 x 52 1/4 inches)
Provenance
- Probably Sir Gregory Osborne Page Turner Bt sold Christie's, 7-8 June 1824 (48) bt Bartio; Probably C. W. Tayleur, his sale Bourne & Sons, Totnes 9 October 1912 (312) Anonymous sale, Sotheby's, 17 June 1981 (77)
Exhibition history
- Shakespeare Gallery, Exchequer St. Dublin, 1793 (XV); New Shakespeare Gallery, 88 Pall Mall, 1795-5 (XV)
Publication history
- High Macandrew, Henry Fuseli and William Roscoe, The Liverpool Libraries, Museums and Arts Committee Bulletin Vol 8, Walker Art Gallery number, 1950-60 p 44 Gert Schiff Johann Heinrich Fussli, 1973 Vol I, no.1747, Vol II, illus. p 558 GertSchiff L'opera completa di Fussli 1977 no.53 illus. Robin Hamlyn, An Irish Shakespeare Gallery The Burlington Magazine, August 1978 Vol CXX, pp515-529 illus fig 34
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Negative NumberM48414
Archival context
Object numberPA-F07805-0013
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Painting: Shakespearean subjects.
- Item:Gertrude, Hamlet And The Ghost Of Hamlet's Father
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
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