Mrs Henrietta Morris And Her Son John
Represented work of art
Artist
George Romney
(1734 - 1802)
Dimensions35 x 27 1/2 in (90.2 x 69.8 cm)
Provenance
- Heneage Legge, Esq. (1747-1827), Thence By Descent To his nephew, the child in the portrait. Sir John Morris, thence by descent to his son. Sir John Ermine Morris D. L. , Thence By Family descent. Sir Robert Morris, thence by descent. Sir Ermine Morris by whom sold to Knoedler June 1929. With M. Knoedler Gallery New York & Thos. Agnew & Sons, London, by whom sold 1930 to Col. Carstairs, New York. By whom sold in 1930 to Mr and Mrs Harrison Williams, later Countess Mona Bismark, Paris. Countess Mona Bismark sale, Sotheby's Monaco November 29-30 1986 (508) to P. & D. Colnaghi & Co. Ltd.. With P. D. P. & D. Colnaghi & Co. Ltd. London & New York from whom acquired by Anonymous collector. Property of a New York Estate. Anonymous sale, Sotheby's New York 27 January 2005 (170)
Previous owner
Thomas Agnew and Sons Ltd.
Previous owner
Iolo Aneurin Williams
(1890 - 1962)
Photographic source
Object FormatPhotographic Print
Photograph Source
Sotheby's Auction House
Archival context
Object numberPA-F08443-0031
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Miscellaneous
- Item:Mrs Henrietta Morris And Her Son John
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Rights Statementhttps://rightsstatements.org/vocab/NoC-CR/1.0/
Data Formats
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